At the Carpentry, My Brother Slivers Again & Again
the hammer slamming onto a nail knocking ithalfway in & the carpenter
sweating like a hose his body falling
in little shreds every grey
strand on his scalp holding light at the tip
the way he makes labor look like sex
or something sweet. I recall back in those days
at highschool when my brother worked
the hardest in his class his first real attempt
at standing tall until his Maths
teacher held him by the nape & said
you’re really not good enough—
nobody believing afterwards
that a teacher could say such could ask
a kid to shrink to pocket
his sheen & disappear like a flame
dipped underwater. but in the meantime
my brother points at the man his
chin moistened by sweats & asks if that
is the furniture we plan to buy the one
with its surface hollowed by a nail like christ
a hammer slamming building some minaret
out of mere junk.
Canaan party grapevine
The woodpecker is thesymbol of everything
we were taught as kids.
11 years ago, at that dinner
where my brother (for the
first time) was missing
was angry
was the only one
in the house feeding
on herself.
11 years ago, my father
stood over us like a pine,
teaching us how to drill
a wood until it bursts,
its fibers tearing at the
seam shoving honey
into our mouths.
I sat at a corner
choking on my own
thirst, my heart
burning & burning. & I
spent the next decade
book-worming, because
he said I must learn to
read to know to see
with my mind wide open
in the dark.
Although I
have to forget
he did the same
& nothing glowed, nothing
burned bright enough
to show him the way at
least at least, a drop of
honey. Oh lord, teach every
father to walk in your way.
You who turned
water into wine,
chose pleasure in place
of pain,
all people at the Canaan
party laughing dancing
wondering if there was a
miracle more beautiful
than this.
A Conversation with the Carpenter, or What the Tree-man said to the Tree
you with a body smooth as a mole.you δέντρο. you cinchona hold-
ing lushness between bare teeth.
They tear you down to the smallest
stick, because they love what you
become after you wreck. Beauty
emerging from within the ruins,
the furniture with its oiled face, &
every bridge named after sea. you’
re beautiful like a tree, or a damsel
with her ponytail. I try not to be
hard, this hammering, this seeking
only to break & nothing more. It’s
all I know about love. The shattering
that fosters the forge. I’m a man
in the many ways I ravage whatever
I come across & call it love. & call
it work. Every hug I give encloses
the heart & punctures it. So you can
see what it means when I come to
you. First your roots. Then your stem
the whole of it. The lacquer comes
afterwards, like dawn, bringing clothing
to a body disrobed by scars.
Glossary
δέντρο: the Greek word for tree.

Chiwenite Onyekwelu is a Nigerian poet and essayist. His poetry appears/ is forthcoming in Chestnut Review, America Magazine, Rough Cut, Hiraya, and elsewhere. He was a finalist for the 2021 New York Encounter Poetry Contest, winner of the 2020 Jack Grapes Poetry Prize, as well as runner-up for the Foley Poetry Prize 2020. He serves as Associate Editor at the School of Pharmacy Agulu, where he’s an undergraduate. Twitter: @chiwenite9, Instagram: @chiwenite_onyekwelu
Banner Art: The Frames of Trees, a visual poem by Robert Frede Kenter (c) 2022. Twitter: @frede_kenter