SCARLET began as a digital visual/poetic meditation on the fractured state of psyche induced by extended social isolation under COVID-19 lockdown. The project has since evolved to document the social disruption of the pandemic as we move through its various mutations and surges.
The digital/visual poems are created through erasure of the novel The Scarlet Plague collaged with glitched imagery from everyday life during the pandemic. The titles of poems in the series are then derived from objects contained in each glitched still life.
Glitching is a technique that introduces errors into the code of a digital file or stream that distorts its presentation. The error-induced fracturing of images in SCARLET is intended to defamiliarize everyday objects and surroundings to reflect the psyche under the constant stress of the pandemic.
The Scarlet Plague is a post-apocalyptic novel by Jack London, published in 1912, set in California during the year 2073, after the world’s population is decimated by an uncontrollable pandemic.
Three of Swords
Living Room, with Stage Props
Roadside, Hiking Shoe, Discarded Mask
Parking Lot, with Discarded Surgical Mask
Green Glass Bottle, Christmas Ornaments
Francesco Levato is a poet, a literary translator, and a new media artist. Recent books include Arsenal/Sin Documentos; Endless, Beautiful, Exact; Elegy for Dead Languages; War Rug; Creaturing (as translator); and the chapbooks A Continuum of Force and jettison/collapse. He has collaborated and performed with various composers, including Philip Glass, and his cinépoetry has been exhibited in galleries and featured at film festivals in Berlin, Chicago, New York, and elsewhere. He holds an MFA in Poetry, a PhD in English Studies, and is currently an Associate Professor of Literature & Writing Studies at California State University San Marcos. Twitter: @_levato, Instagram: levato.francesco.