
Gravity (needle electromyography)
The data sings in my failed armping and crackle
atonal
at the nerve ends
untuned
through the sensors
amplified through little speakers set on the floor
what part of you is speaking now
in the space of the miraculous
This guy doesn’t even have gravity, said the doctor, as the arm fell to
my side each time he lifted it up.
off-notes in the new space
astringent ganglia
unable to reach
anywhere
all the needles in my arm
their sensitivities
to the charge/discharge
and I don’t know how to hear them
but maybe you can hear them for me
What does it mean to not have gravity?
Not to reach anyone
not to lift up
in praise or song
But isn’t the body always falling
into the earth
its receptor sites
in this time
its resistance
coil hum
of the material world
Who said anything about gravity in the first place?
Who can say who is speaking now?
I’m just trying to listen
to the scatter
of untones
the stutter
too much for words
now that gravity is gone
of my neurons
extending their hands
unable to claim the sound
as something I produce
or just the electronic record
composed in the updated chips
of the computer.
In the gravitational pull
I am trying to raise my arm
to greet you
perhaps to touch you
at the limits of the world.
from Gravity – Spoken Word by Monty Reid
Author’s Note: Gravity is a kind of a field composition, in that it tries to capture some of the disjointed music produced by a testing procedure. It’s one of the poems in a full ms called Aorta, which is a response to various medical experiences, which have left me with a disability. Related poems can be found at The Typescript, periodics, +doc, metazen, The Pi Review and elsewhere.
BIO

Monty Reid is an Ottawa writer. His most recent chapbook is Vertebrata, from Montreal’s Turret House Press, and recent full-length collections are Meditatio Placentae (Brick) and Garden (Chaudiere), with a new book scheduled for 2027. He was the Director of Ottawa’s VerseFest for almost a decade. Twitter: @montyreid
Art: Static – Monitor, a glitch vispo by robert frede kenter (2025)