Pavel Kohout, I Am Snowing (opening lines; trans, Neil Bermel)
Mea culpa. Mea maxima culpa!
But why so dignified? I’m an idiot—an idiot squared!
Root maxim, cute bangs straight from the gate1
Let’s hope her nth degree is not Angel No. 17
More ways than one, more days than done
maxima times seven’teen
No suk’cess material’s asp’n strife2
No success like failure
& failure’s no bench press at all3
Let’s be okey-dokey real— they’s no there there4
Dignified or un- no upside to upside down
Mah mea’s done with pulling flowers:
Whatofit / if I spin down / or up / where angels go
I am / a snowflake / and thus / I snow5
So freeze-frame ’em, coupl’a culpa’s
(Max & Maxine?)
angel’s slicing a snowflake
Tight like the ol’ Bobbitt twins
Chop & switch this idiot times sur’round…
Nothing pools like suk’cess Nothing
deserves a circle squared
______________________________________________
1Not a nod to Gide’s Strait is the Gate, but to Pound’s translation, “The River-Merchant’s Wife” (“While my hair was still cut straight across my forehead / I played about the front gate, pulling flowers.”)
2 Cockney rhyming slang: trouble & strife = wife (of a River-Merchant, who knows? Cleopatra’s material aspect, who knew?)
3 Riffing on Dylan’s “Love Minus Zero”
4 Gertrude Stein’s oft repeated phrase, describing her feelings of estrangement when she revisited her childhood home in okey-doke “Oakland”
5 Kohout’s female narrator closes the novel with this light poem
Tadeusz Konwicki, A Minor Apocalypse (opening lines; trans, Richard Louie)
Here comes the end of the world. It’s coming, it’s drawing closer…
You (1979) ain’t seen nothing yetTicklish moments slice more’n freeze-frame flakes
These idiot lines multiplyin’ slivers of ice diced
71% water-mark floaters from kenophobic void
— reverse saucy seventeener
No there there / here / wherein sight?
39 shades of white noise / behind whose eyes?
hoЯRor show’s frozen miЯRor
One / is the loneliest number you’ll ever do
We all unravel // ligature by ligature (& w/out signature)
Honest to God my heart aches / When I see them untying
… the very lastness of things / before reality disappears
Everyone wants to moan the end of the world
No one’s insight deserves an invite to incite
Poet, your time has come: P. T. O.
You need to Calm down once a’gain, pls,6
______________________
6Picking up on much before…
Miroslav Krleža, On the Edge of Reason (opening line; trans, Zora Depolo)
At night, when I hold conversations with myself, I cannot logically justify my constant preoccupation
with human folly.
Laughing till our eyes fall out
A short trip from here
to “there’s that then”
Doesn’t need training
Tap tap that tapinosis track
(such artful understatement, hah)
Forever in your sightlines
— sticks like a plank —
“and there is / poetry in her tracks”
The Truth is Laughter, serialized
But nothing like that deserves
the last laugh
Or laff, lmao huh?7
___________________
7The quotation: Robin Blaser, Syntax (this book’s final poem, quoting Opal Whitely), & see also Miriam Nichols’ A Literary Biography of Robin Blaser (p. 186) re: his serial poem The Truth is Laughter (“found pieces that record wonderments” like Whitely’s domesticated cow); & of course Blaser & Spicer conjoined here in the closing lines.
Author Note: Novel Lines 101: is a work in progress of 101 alphabetical poems, each riffing on the opening line of a postmodern novel or metafiction

Stephen Bett is a widely and internationally published Canadian poet with 26 books in print (from BlazeVOX, Chax, Spuyten Duyvil, & others). His personal papers are archived in the “Contemporary Literature Collection” at Simon Fraser University. His website is StephenBett.com.
My 25th book, Broken Glosa: an alphabet book of post-avant glosa, came out with Chax Press in 2023. Review copies available: Broken Glosa by Stephen Bett | chax
And my 26th book, SongBu®st, is just out with BlazeVOX Books. Review copies available: SongBu®st by Stephen Bett – BlazeVOX [books]
Novel Lines 101 (in progress): “I love Novel Lines! It is intelligent and strikes me as absolutely relevant and contemporary… [This] work is intriguing, intelligent, and perfect for WF/W.” —Jonathan Minton, Word For/Word.
Banner Art : Incorrigible Spontaneity/(Eye-lashes), a vispo (c) 2024 Robert Frede Kenter IG: r.f.k.vispocityshuffle, icefloe22.