Demographically Obtuse
Evidence in viewof reconstructive
elements
, vein exodus
, malfunctioning heart valve
like estuary bisected
without referential
milieu. To offer
a swarm / survived triangulation
/ Bermuda Triangle of interweaving
mythologies.
If a medieval calculator
could blush before a cartographer’s
radical position
, then a framework may extend
as widely dismissive as cremated
tectonic shifts.
Objectified societies exert massive intervals
stuck within presupposed eras.
Pole Star
a branch of affectation squidgaining momentous aquatic imperatives
considerable splicing goes into ecology
like a parachute on a prairie oyster
analyzed obscured specimens in repose
summed up
abstraction
burial at conception
audience without boundaries
practical spinning volcanoes
depictions of constellations
charted in dotted rectangles

Joshua Martin is a Philadelphia based writer and filmmaker, who currently works in a library. He is the author of the books automatic message (Free Lines Press), combustible panoramic twists (Trainwreck Press), Pointillistic Venetian Blinds (Alien Buddha Press) and Vagabond fragments of a hole (Schism Neuronics). He has had numerous pieces published in various journals including Otoliths, M58, The Sparrow’s Trombone, Coven, Scud, Ygdrasil, RASPUTIN, Ink Pantry, and Synchronized Chaos. You can find links to his published work at joshuamartinwriting.blogspot.com. Twitter: @jmartinpoetry

Banner Art: Blue Ruins, a visual poem by Robert Frede Kenter (c) 2023. Twitter: @frede_kenter. IG: r.f.k.vispocityshuffle. Robert Frede Kenter is the EIC of Ice Floe Press, a writer, visual artist & curator of Geographies 2022. Work in The Book of Penteract (Penteract Press, 2022). Forthcoming pieces in a new anthology from Steel Incisiors (2023). Widely published in journals incl. Anthropocene, streetcake, Feral, Anti-heroin chic, Writ, ARC, Prairie Fire, New Quarterly, WatchYrHead, Acropolis Journal, CutbowQuarterly. EDEN, a recent vispo collection was published in 2021.